Right, i'm back from Milan: tired, sore and full to the brim with design and booze. Unfortunately i didn't manage to see Karim Rashid, but as expected, the trip was choc full of chance encounters with old compadres. There are endless blogs covering the work in Milan, so i won't join in too much, but below are a few choice pics, and there are more on my flickr page. If you want to find out more about what was on show, maybe try designboom or dezeen, and just maybe i'll see you there next year?
The big event was, as always, the Established and Sons party. Bit weird that the biggest ticket in Milan furniture week is a British company, but there you go. As ever there were lots of design celebs there, and the queues outside were monumental as expected. I luckily had tickets, but major props must go to Irina, a friend of mine and PA to Konstantin Grcic, who managed to get nine people in on one invitation. Also bumped into Ed (who is really starting to make waves with Established) and Big Will, who continues to make waves with the ladies.




design-wise, as i mentioned, there are hundreds of other blogs out there going into much more detail than I can be bothered to, but for what it's worth, my highlight was the lolita lamp by Nika Zupanc for moooi. Assuming the pricing is OK, i think there may soon be a new lamp in Casa Fosta.


Tom Dixon showed pretty much exactly the same collection as last year, so i thought it only fitting to take exactly the same photo as last year, reflected in his copper lampshade.

Marcel Wanders was not quite the star as he was last year, but i still think he killed it for Poliform. Sure it's self indulgent tut, but it was very well produced, and quite refreshing. His work for Swarovski on the other hand was awful, although i couldn't take any pictures, due to the ridiculous camera Nazis in the exhibition. On that note, i think it's worth mentioning that camera Nazis have been on the decline in the last few years, but Swarovski and Kartell still employ a huge team to stop anyone taking pictures, which is ridiculous as images of every piece are on their websites and countless blogs just hours after the shows are opened. Stop being so mean, let people take pictures, where's the harm?

So there you have it, another year passes by, more things change, but worryingly, much stays the same. The same stars stay stars, the followers continue to copy, and the same themes get battered to death. We'll see what happens next year but here are my predictions:
1. Lot's of floral adornment, again
2. High gloss, everywhere.
3. White with wood
4. more ordinary objects enlarged out of scale
5. corian corian corian zzzzzzzzzz.
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